)
Jethro Tull's Ian Anderson on his upcoming Atlantic City show at Caesars, Oct. 6.
Don’t bother breaking out the disposable lighters hoping to lure Ian Anderson back to the stage after he performs the final notes of Jethro Tull’s 1972 concept album Thick as a Brick and its 2012 sequel, TAAB 2: Whatever Happened to Gerald Bostock?
Anderson, who formed Jethro Tull in 1968 and was in the vanguard of the progressive rock movement, is currently touring with a brand new show that’s 40 years old. In spite of its popularity four decades ago, Thick as a Brick, a 45-minute unbroken piece of prog rock genius, has never been played like in its entirety until now.
Anderson and his band are on tour in support of TAAB 2, which looks — in a musical style similar to the original — at the life of the character 40 years later.
That’s pretty much why Anderson and his band won’t be performing any encores once they complete TAAB Saturday, Oct. 6, at Caesars Atlantic City.
“I think, in this case, the whole evening should be used to bring them something they haven’t heard before,” Anderson told Pollstar magazine earlier this year. “And an encore would be a bit of a surplus. So, no, after two hours plus an intermission I think it’s time to head for the hills and get the hell out of there. I think the audience might be making a run for the doors when we finish the last note.”
Although he only claims to have listened to the original album in its entirety about 20 times over the past 40 years, Anderson, 65, said the music quickly came back to him when he began assembling the sequel last year.
“The words tend to be on the tip of my tongue; that’s not a problem, even on the three-quarters of the album we haven’t played in 40 years,” he said. “The performance of it, the notation, the execution, is not terribly difficult to play. It probably was at the time, but we were pushing our limits as musicians. It’s actually just memorizing the nuances of certain phrases and trying to put it all back together.”
Although Anderson’s instrument of choice is the flute, that’s not his focus when he’s performing TAAB. He’s listening to all the parts in this complex piece.
“For me, it’s not about playing the flute; it’s about the guitar parts,” he explained. “There is a lot of acoustic guitar on the album and a lot of it happens the same time the flute’s playing, and I’m singing — all three at the same time, which is a complete impossibility so I have to share some of those elements with others in the band. ... So I have to be realistic in the performance of both of these albums. There are places I have to offload to other people because it would be imprudent to try to do things absolutely nonstop and always be either singing or playing or, in some cases, having these difficult passages where there are two acoustic guitars, two flutes, vocals, all happening at the same time.”
Anderson also offered some advice to Jethro Tull fans who may be disappointed they won’t hear Tull’s greatest hits in the TAAB show.
“It’s better for me to talk about this in advance and make it clear that we are doing a performance of two conceptual pieces and that is the sum total of the performance,” he said. “If people are disappointed they are not going to hear ‘Aqualung’ or ‘Locomotive Breath’ or ‘Cross-Eyed Mary,’ my suggestion is they give this one a miss and wait for another concert where we will be playing that material, assuming I’m still alive.”
In addition to being one of the founding gods of prog rock, Anderson has also been a successful businessman. He’s made millions of dollars from a variety of diverse business ventures, including salmon farming.
He’s also experienced fame from a different perspective ever since his daughter married actor Andrew Lincoln, who plays Rick Grimes on the popular AMC zombie series The Walking Dead.
“These days, when I’ve been out and about, I’ve thought someone is coming to ask me for my autograph or I’m getting a particularly friendly reaction from a restaurant owner or somebody in a Starbucks, but it actually turns out they’re not interested in me at all,” he said. “They’re interested in my son-in-law ... So they tend to recognize him more often. ‘Oh, it’s him, from the telly!’ They don’t always know his name, but it’s always ‘that guy on the television.’ I just pretend I’m his agent. Or his older lover.”
Something is happening in Atlantic City’s main casino venues this weekend that — barring another hurricane or some other act of God — will probably never happen again this year.
Among A.C.’s future entertainment focal points will be the legendary Brits performing their rock opera ‘Quadrophenia’ at Boardwalk Hall in 2013.
Fourteen years after his eponymous sitcom left the television airwaves following a ratings-topping nine seasons, Jerry Seinfeld has finally reached the point where his art imitates his life, and vice versa.
Atlantic City is staring down the barrel of Labor Day weekend after experiencing the single most diverse array of live entertainment ever presented here during one summer. Not just during the last 34 summers of the casino era, either, but throughout its entire gaudy, bawdy and, occasionally tawdry 160-year-old past.
"Vinyl gave us something to work with. Clearly the space was there and you’d utilize it and you got involved and excited about doing it. It was a way of bringing together visual arts with the musical ones — [a sort of] natural thing to do. But these days, well, one mp3 file looks much like another."
'I would have to be worried about somebody who carried around a copy of the Old Testament all the time on an electronic reader because that’s pretty scary stuff. One of the things that I’ve never really done is to read the Bible all the way through and so I carry a copy of the St. James original translation — English translation — of the Bible. I carry that around with me and dip into that...'
From the moment the song was released, it seemed to take on a life of its own. In less than a month, it rocketed up the charts to capture the top position in Great Britain and France and crossed the ocean to become a top 10 hit in America.
Chris Squire isn’t getting his hopes up just yet. But the only original member still working with the 1960s rock band Yes admits it’s probably just a matter of time before his long-running group is finally voted into the Rock and Roll Hall of Fame.
There are no official numbers yet, but a quick glance at showroom bookings for the first half of 2010 seems to show a slight decrease from the previous year. That’s not a surprise, considering the double-digit monthly beating the Atlantic City gaming industry has been taking from increased competition in neighboring states coupled with the global economic recession. But the pull-back from entertainment is likely to be a temporary one as casinos here begin to aggressively fight to win back market share that’s been siphoned away by slot parlors in Pennsylvania, Delaware and New York. In the very near future, the war to win over gaming customers won’t be waged on casino floors, but will take place in...
No Snot Running Down His Nose Although Columbia Records artist Aqualung shares his moniker with Jethro Tull's famous 1971 song, the wistful British singer-songwriter has a lot more to do with Coldpla...
Article:
‘Lucy’ on Stage at Harrah’s
Article:
Sal Richards Returns
Article:
Il Divo’s ‘Popera’
Article:
Sarah Silverman: No Apologies
Article:
30 Years of Comedy
Article:
Stand By Ben E. King
Article:
Short’s Career Stacked
Share this Story: