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2012 TIFF Notes


As Toronto Festival heads into final days, good movies and Oscar buzz.


By Lori Hoffman

Add Comment Add Comment | Comments: 0 | Posted Sep. 12, 2012

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'Silver Linings Playbook'

After five days and 18 movies 
viewed at the 2012 Toronto International Film Festival, I’ve got a few favorites and a little Oscar buzz. David O. Russell, writer-director of Three Kings and more recently, The Fighter, introduced his latest, Silver Linings Playbook. The film stars Bradley Cooper and Jennifer Lawrence as two broken people who find each other, and while that might sound like a drama, it is so funny it resists being so easily labeled. And, as an added bonus, the film is also a love letter to the city of Philadelphia and in particular, the passion of Eagles fans. Robert De Niro plays Cooper’s father, a rabid Eagles fanatic and bookie. That the native New Yorker is on screen trashing the Giants and Cowboys made me smile. 


The film is smart, funny and delivers an unconventional love story that is as winning as it is believable. It is one of the few films so far that is generating enthusiastic Oscar talk.


The Master, the latest from Paul Thomas Anderson (There Will Be Blood), might get some Oscar consideration for stars Phillip Seymour Hoffman and Joaquin Phoenix, but it lacks an emotional connection. We are kept at arm’s length by this tale about a cult leader in the 1950s that may or may not be based on the birth of Scientology.


Argo was a disappointment to me, but I seem to be in the minority; other journalists have called it Oscar-worthy. It wasn’t bad, but Ben Affleck’s drama, about how the CIA, in cooperation with the Canadian Embassy, managed to smuggle six Americans out of Iran during the Iranian hostage crisis in 1980 is bland and lacks suspense except for the final 15 minutes when the actual escape takes place.


The Sessions stars the amazing John Hawkes (Winter’s Bone) as a man confined to an iron lung who doesn’t want to die a virgin and hires a sex surrogate (Helen Hunt) to accomplish that goal. Hawkes should be on Oscar’s short list and Hunt deserves supporting actress consideration.


The Place Beyond the Pines, starring Ryan Gosling, Bradley Cooper and Eva Mendes and directed by Derek Cianfrance (Blue Valentine), just picked up a U.S. distributor (Focus Films). If it is released before the end of the year, it could earn some Oscar interest but it’s likely to turn up next year. The film is a fascinating mash-up of crime thriller and police corruption then in its third act provides a “sins of the fathers” finale.


When Day Breaks is just the type of delightful European movie (from Croatia) that rarely makes it on U.S. screens anymore, which is why this film critic likes to mix in smaller movies with all the big buzz movie star-laden fare I see. It’s about a man who finds out that he was adopted and that his biological parents perished at Belgrade’s concentration camp. There is an outside chance it might earn a foreign language Oscar nod. No is a film from Chile about an advertising executive (played by Gael Garcia Bernal) who is hired in 1988 to create the political advertising campaign to convince the people to vote against dictator Augusto Pinochet and asked for a democratic election. The film is loaded with unexpected humor as we watch the use of slick advertising tricks to topple a dictator.


For more Toronto Film Fest news, check out the Atlantic City Weekly blog at acweekly.com/ac-central.

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