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Movies: TIFF 2011

Brad Pitt’s latest, a double dose of Clooney and lots 
of fine relationship films at this year’s festival.

By Lori Hoffman
Add Comment Add Comment | Comments: 0 | Posted Sep. 15, 2011

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‘The Descendants’

Toronto — When Brad Pitt 
and George Clooney are in Hollywood North to promote movies, the media blitz hits the frenzy button and rarely dies down. And so it was on the opening weekend of the Toronto International Film Festival with Pitt in town to promote the baseball movie Moneyball, and Clooney whipping up support for the political drama he directed, The Ides of March, and the family-in-crisis drama from director Alexander Payne, The Descendants. 


I enjoyed Moneyball, directed by Bennett Miller (Capote) which is very much about baseball, but is also about our expectations in life and what happens when those hopes and dreams are crushed by reality.


George Clooney’s efforts get mixed reviews. His directorial effort, The Ides of March, is a cliché-ridden effort starring Ryan Gosling and pales in comparison to even a so-so episode of The West Wing. The film reveals that most politicians and their handlers are soulless assholes. Is that revelation supposed to shock us?


Better news comes with The Descendants, featuring the same subtle wit and interesting character dynamics that were featured in other Payne films including Election and Sideways. Clooney is the head of a famous family in Hawaii who is juggling the sale of a huge parcel of land while dealing with a family tragedy. He isn’t sure how to handle his two daughters when their mother is hospitalized after a serious boating accident. The family is forced to learn and grow together, and Clooney is wonderful in the role.


The Artist is a delightful black & white film about the era of silent movies when the talking picture came along and took over. It has been done as a non-dialogue movie (there is music, including Bernard Herrmann’s magnificent love theme from Vertigo), and stars the best actor winner from Cannes, Jean Dujardin, as a hammy silent film star, George Valentin. He should be in the Oscar talk, and his dog co-star should be given a special dog-shaped Oscar for supporting actor. The film is from writer-director Michel Hazanavicius. 


Relationship movies are first rate at this year’s fest, including actress-director Sarah Polley’s Take This Waltz. Set in Toronto, Michelle Williams is happily married to the likable cookbook author played by Seth Rogan, but finds herself delving into a relationship with a neighbor (Luke Kirby), that continues to ignite while she decides if she is willing take the next step. Williams is terrific, but the revelation is Rogan who pares back his goofball persona to deliver some real pathos. Sarah Silverman is also excellent in a key supporting role.


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