The newly opened Redding's in Atlantic City kicked off its 'Jazz Alive' series with Hammond B3 great Joey DeFrancesco Tuesday night, Feb. 8.
What do you think about live jazz returning to Atlantic City's famed Kentucky Avenue?
On Tuesday, Feb. 22, groundbreaking will commence on the newest Smithsonian museum in Washington, D.C. The Smithsonian’s 19th museum, the National Museum of African American History and Culture, will occupy a five-acre site on Constitution Avenue between 14th and 15th streets N.W., between the Washington Monument and the Smithsonian’s National Museum of American History.
Dave Matthews Band 'Live in Atlantic City' is available for pre-ordering. The 2-CD set will be released Dec. 13, and will include the band’s headlining concert on June 26, the final night of the Atlantic City DMBC festival.
Atlantic City, like many other U.S. cities, once had segregated beaches, but they didn't start out that way. In the late 1800s and early 1900s, Blacks and whites lived side-by-side, worked side-by-side and played side-by-side.
I've tasted IHop's new [chicken and waffles] dish and they're missing the key ingredient — soul! Eating chicken and waffles at IHOP is like eating a Philly cheesesteak in Montana. It's not even close." See photos and video...
Judge Nelson Johnson's latest book 'The Northside,' on Atlantic City's history of African-Americans, is missing key components says community leader. Johnson's previous book Boardwalk Empire was turned into the 2010 HBO series, the second season of which is filming now.
A banner with the name Slappy White on it hung across Kentucky Avenue all summer. The late comedian and actor (who died in Brigantine in 1995) was booked for the entire season at Atlantic City’s famed Club Harlem. On this particular summer night, however — July 24, 1964, to be precise — hanging above the banner was yet another banner. It read: “Sam Cooke.”
The truth is, our region has been a live-music mecca since the early 1900s, when cats like Eubie Blake and Eddie Cantor hung out for summers and performed at local clubs. Decades later the Atlantic City jazz scene was as hot as they come, with internationally heralded performers from Billy Eckstine and Louis Armstrong playing residencies at some of the hottest clubs on the East Coast, namely the venues on Atlantic City’s fabled Kentucky Avenue — all of them are gone now — including the Club Harlem.
Summertime, and the groovin’ is easy. Tourists fatten the regular jazz crowd cramming Kentucky Avenue, where the night never dies. Inside Club Harlem, they press against the bar and each other, as the organist and his quartet tune up on the bandstand. The music comes fast and the band is tight and the organ looses a torrent of sound. And there’s an added bonus for posterity: the live session is being recorded for an album, a rare occurrence in Atlantic City. This was the scene on the Saturday night of Aug. 9, 1969, when master jazz organist Lonnie Smith and company cut Move Your Hand, an exemplar of ’60s soul jazz, for the legendary Blue Note label. The title song, which became a hit, borrowed its lyric from a joke that Smith’s drummer told about a substitute preacher who couldn’t deliver the sermon because someone else’s hand was covering the text. (The joke is less than hysterical, but the number’s a grabber.) “One night, I was playing a little lick and just happened to say [“move your hand”] to the fellows in the band,” says Smith, now 67 and as busy as ever. “People loved it and always requested it.” It became...
At a fraction the size of the Showboat House of Blues' main music hall, one might assume that the Club Harlem Ballroom is reserved for lesser-known acts, or those that don't have the drawing power to...
THE ADDRESS WAS 32 North Kentucky Avenue, and it was a place where the music -- and the night -- never died. If the entire block, including the likes of Grace's Little Belmont and the Wonder Garden b...
After nearly six months of endless construction, Redding’s Restaurant on Pacific Avenue opened its doors two weeks ago.
At one time Atlantic City was a must-stop destination among the greatest names in the genre of jazz music, and a strong correlation exists between the city and the DeFrancesco surname. But Joey DeFrancesco, who has been hailed as one of the greatest jazz organists of all time, has never before performed in A.C. as a professional musician.
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