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‘Atlantic City’ — the 1944 Movie

Find out about the film 'Atlantic City' not from 1980 and see clips of Louis Armstrong and Dorothy Dandridge performing in the 1944 film musical.

By Tom Wilk

Add Comment Add Comment | Comments: 0 | Posted Sep. 28, 2011

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The rare 1944 film 'Atlantic City'

ATLANTIC CITY — Motion pictures can share the same 
title but offer completely different stories. A case in point is Atlantic City — two films with little in common beyond their names. The more recent Atlantic City, which came out in 1981 and was directed by Louis Malle, depicts the resort in the early years of legalized gambling. Burt Lancaster and Susan Sarandon lead a strong cast in this gritty drama filmed on location.


By contrast, the first Atlantic City is a musical released in 1944 that offers a highly fictionalized account of the city’s rise as a vacation and convention destination in the years during and after World War I.


“I have grand plans for this town. Atlantic City is going to be the playground of the world,” announces businessman and entertainment impresario Stanley Brown, portrayed by Brad Taylor, near the beginning of the black-and-white film.
Released in the summer of 1944 as the Allied Forces advanced across Europe in the weeks after D-Day, the movie, directed by Ray McCarey, was intended as escapist entertainment for a nation fighting on multiple fronts.
In his first starring role, Taylor plays a successful, and, at times, underhanded businessman. One of his schemes is a phony plan to build livery stables on the Boardwalk to entice other businessmen to sell their property at a cheaper price. 


Ultimately, Brown transforms his father’s rooming house and bar into the upscale Sycamore Hotel. That leads to the construction of entertainment venues, including the Apollo Theater, and later the successful launching of the Miss America Pageant. His success in business comes at a price, as he alienates his friends and his singer/wife, Marilyn, portrayed by Constance Moore, leaves him. 


“You can’t go through life stepping on other people,” warns his father, Jake, portrayed by veteran character actor Charley Grapewin.
Brown hits rock bottom when one of his entertainment piers goes up in flames and he has no insurance. Brown’s fortunes are reversed when his father, who has provided
lodging to many vaudeville entertainers, recruits them for a benefit show to bail out his son. Brown’s wife also agrees to perform.

The younger Brown sees the error of his ways and what really matters in life and reunites with his wife in a typical Hollywood ending.
In retrospect, the highlights of Atlantic City are the more than dozen musical performances sprinkled throughout the 87-minute film by some of the top entertainers of the 1940s, including the orchestras of Louis Armstrong and Paul Whiteman. Dorothy Dandridge and Armstrong team up on “Rhythm for Sale” as part of a “Harlem on Parade” revue. 


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